鸿蒙悟空传

视频简介

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。就職活動で連戦連敗中の大学4年生・朝井拓真を主人公とした本作。次々と就職先を決める同級生たちを横目に劣等感を募らせていた拓真は、ある日、幼なじみ4人組で10年前に埋めたタイムカプセルを掘り起こす。将来が見えずやけくそになった拓真が持ち帰ったタイムカプセルに「内定が欲しい」と書いた手紙を入れると、10年後の未来の自分から返信があり、そこには“衝撃的な未来”が書かれていた。拓真は人生を変えるため、未来の自分と“不正就活”を共謀する。。