战场的女武神3

视频简介

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。故事发生在第二次世界大战期间，钢琴家亨利（保罗·亨雷德 Paul Henreid 饰）决定带着妻子安（埃琳诺·帕克 Eleanor Parker 饰）乘船逃往国外躲避战乱，哪知道却因为未能获得出境证，而遭到了海关的拒绝。与此同时，安目睹了一场爆炸案的发生，一辆驶往港口的汽车在空袭之中灰飞烟灭。 回到家后，倍感绝望的亨利决定自杀，深爱丈夫，却同样无计可施走投无路的安也决定追随丈夫的脚步。哪知道镜头一转，亨利和安出现在了一艘正在行驶的轮船上，让安感到震惊的是，船上的这些乘客，竟然就是自己先前在爆炸案中所看到的那些乘坐在被炸毁的汽车上的人们。夫妻两人很快就意识到，这些人其实早就已经死了，只是他们自己不知道而已。。