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1990年代，上海。歌剧演员颜蔚（秦怡 饰）祸不单行，丈夫刚刚去世，如今女儿夏樱（刘赫男 饰）又患了精神分裂症住院，此时歌剧院领导通知她去厦门开会，她自感分身无术。夏樱的病情时好时坏，令颜蔚心急如焚。医院沙院长（刘琼 饰）告诉颜蔚，精神病人发病时自己并不觉痛苦，相反，痛苦的是家属。新来的小病友吹奏的囗琴曲《世上只有妈妈好》在患者中引起共鸣，不少病人脸上的表情不再木然，还有人流下泪水。颜蔚将逐渐好转的女儿接回家中康复治疗，并带她游览了日益发展的上海城区。清明时节，在给亡夫扫墓时，颜蔚遇见了为妻子上坟的沙院长......。根据漫画《混沌白书》改编，讲述美少年上古神兽混沌拥有999个古怪又有趣的故事。 温情治愈冷笑话，怪诞鬼畜不吃药，七集七种风格，但为博君一笑~。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。