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Dr Janina Ramirez unlocks the secrets of illuminated manuscripts that were custom-made for kings and explores the medieval world they reveal. Part 1: Ruling by the Book Janina begins her journey with the first Anglo-Saxon rulers to create a united England, encountering books in the British Library's Royal manuscripts collection which are over a thousand years old and a royal family tree which is five metres long. Janina finds out about a king who had a reputation for chasing nuns and reads a book created as a wedding gift for a ten-year-old prince. She roams from Westminster Abbey to other ancient English spiritual sites such as Winchester, St Albans and Malmesbury, and sees for herself how animal skins can be transformed into the finest vellum. Part 2: What a King Should Know Janina shows how medieval manuscripts gave power to the king and united the kingdom in an age of plague, warfare and rebellion, discovers that Edward III used the manuscripts he read as a boy to prepare him for his great victory at the battle of Crecy and reveals how a vigorous new national identity bloomed during the 100 Years War with France. In the British Library's Royal Manuscripts collection Dr Ramirez finds out that magnificent manuscripts like the Bedford Hours, taken as war booty from the French royal family, were adapted for the education of English princes. She also explores how knowledge spread through a new form of book - the encyclopaedia. Part 3: Libraries Gave Us Power The story of the British Library's Royal Manuscripts collection reaches its end with the last great flowering of illumination, in the magnificent courts of the Tudors. She investigates astrological texts created for Henry VII, and unwraps his will - still in its original, extravagantly-decorated velvet and gold cover. She hears music written for Henry VIII, which went unperformed for centuries| and reads love notes between the king and Anne Boleyn, written in the margins of a prayer book. Nina also visits Bruges, the source of many of the greatest manuscripts, where this medieval art form collided with the artistic innovations of the Renaissance. （转自mvgroup论坛）。《自拍》是16岁的戴维德·比福尔科（DavideBifolco）一案的独特记录，他在特雷亚诺的那不勒斯（NeapolitanDistrictofTraiano）被一名宪兵射杀。为了了解一个经常被描绘成贫民区和“卡莫拉”据点的街区，以及戴维德死亡的情况，导演Agostino Ferrente寻找戴维德的朋友，并会见了Pietro和Alessandro。在这部电影的序言中，有人听到他在摄影机前问，“告诉我你的友谊”，这揭示了他对这个一贯合作的纪实小说项目的态度。他让孩子们带上手机和麦克风，把他们的日常生活记录成一部“自拍”电影，无论他们是骑着摩托车，在海滩上，和朋友一起玩，还是在厕所里。在一个自我戏剧化经常成为产品的时代，这是一种完美的形式。其结果是一幅令人印象深刻的拼贴画，无论是视觉上还是在电影的音轨上，都是关于青春期；关于你的背景决定你未来的生活；关...。